Art & Artist Vincent van Gogh

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      Letter From Vincent      

Arles    10 April 1889                          

My dear friend Signac,

Many thanks for your postcard and the information it contained. As to my brother's not having replied to your letter, I am inclined to think that it is hardly his fault. I myself have not heard from him for a fortnight. The fact is that he is in Holland, where he is getting married one of these days.

  'Orchard in Bloom with View of Arles'Well, look here, without denying the least bit in the world the advantages of marriages, once it has been contracted, and of being quietly settled down in one's own home, when I think of the obsequial pomp of the reception and the lamentable congratulations on the part of the two families (still in a state of civilization), not to mention the fortuitous appearances in those chemist's jars where the antediluvian civil and religious magistrates are kept--goodness gracious--mustn't one pity the poor wretch who is obliged after having provided himself with the necessary documents, to repair to a locality, where, with a ferocity unequaled by the cruelest cannibals, he is married alive at a slow fire of receptions and the aforesaid funereal pomp.

I remain greatly obliged to you for your friendly and beneficial visit, which contributed considerably to raising of my spirits. At present I am well, and I work at the sanatorium and its environs. I have just come back with two studies of orchards.

 Here is a crude sketch of them (see above) the big one is a poor landscape with little cottages, blue skyline of the Alpine foothills, sky white and blue. The foreground, 'La Crau with Peach Trees in Bloom' patches of land surrounded by cane hedges, where small peach trees are in bloom--everything is small there, the gardens, the fields, the orchards, and the trees, even the mountains, as in certain Japanese landscapes, which is the reason why the subject attracted me.

The other landscape is nearly all green with a little lilac and gray--on a rainy day.

I was very pleased to hear that you have settled down now, and I am longing for news about the progress of your work and about the character of the seaside scenery there.

 Since your visit my head has just about returned to its normal state, and for the time being I desire nothing better than that this will last. Above all it will depend on a very sober way of living.

I intend to stay here for the next few months at least; I have rented an apartment consisting of two very small rooms.

But at times it is not easy for me to take up living again, for there remain inner seizures of despair of a pretty large caliber.

My God--those anxieties--who can live in the modern world without catching his share of them? My best consolation, if not the best remedy, is to be found in deep friendships, even though they have the disadvantage of anchoring us more firmly in life than would seem desirable in the days of our great sufferings.

Once more many thanks for your visit, which gave me so much pleasure.

A hearty handshake in thought,

Yours sincerely, Vincent
March 1889 

583b

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Arles
9 January 1889

My dear Theo,

Even before receiving (this very moment) your kind letter, I had a letter this morning from your fiance announcing the engagement. So I have already sent her my sincere congratulations in reply, and herewith I repeat them to you.

My fear that my indisposition might prevent you from making that very necessary journey which I had so much and so long hoped for, now that this fear has disappeared, I feel myself quite normal again.

This morning I was again at the hospital to get another dressing, and I walked for an hour and a half with the house surgeon, and we talked a bit about everything, even about natural history.

What you tell me about gives me tremendous pleasure, that is to say that he has not given up his project of returning to the tropics. That is the right road for him. I think I see light in his plan, and I approve of it heartily. Naturally I regret it, but you understand that provided all goes well with him, that is all I want.

What is the '89 Exhibition going to be? Don't forget the "Anatomy Lesson" for M. Rey. He had already told me before this morning that he was fond of painting, though he knew nothing about it, and that he wished to learn. I told him that he ought to turn collector, but that he should not try to paint himself. That means that perhaps we shall find two friends in the doctors here, Rey, and the Paris doctor, of whom I have spoken before.

I told them that Brias of Montpellier had a certain family likeness to us, and that therefore we were only continuing in the South what Monticelli and Brias began.

I have had to pay quite a number of things on leaving the hospital, and though I am in no sort of hurry for several days, it would be nice if you could send me 50 francs or so within the next few days.

I think the mistake in old 's calculations was that he is rather too much in the habit of ignoring the inevitable expenses of house rent, charwoman and a lot of worldly things of this kind. Now all those things are weighting more on our shoulders, but once we have accepted them, other artists could stay with me without having those expenses.

They have just told me that during my absence the owner of my house here made an arrangement with a fellow who has a tobacco shop to turn me out and give the tobacconist the house.

This has rather upset me, for I am not much disposed to have myself turned out of this house practically in disgrace when it was I who had it repainted inside and out, and had gas put in, etc.--in fact, who had made habitable a house which had been shut up and uninhabited for a considerable time, and which I took in a very poor condition. This is to warn you that perhaps at Easter, if the owner persists, I shall ask your advice about it, and that in all this I only consider myself a representative defending the interests of our artists friends. Besides, between now and then it is more than likely that a good deal of water will have gone under the bridge.

And the great thing is not to worry about it. Has Bernard given you back Silvestre's book? I shall need the exact title to make the doctors in question read the book.

Physically I am well, the wound is healing very well and the great loss of blood is being made up, because I eat and digest well. What is to be feared most is insomnia, and the doctor has not spoken about it to me, nor have I spoken of it to him either. Bit I am fighting it myself.

I fight this insomnia by a very, very strong dose of camphor in my pillow and mattress, and if you ever can't sleep, I recommend this to you. I was very much afraid of sleeping alone in the house, and I have been afraid I should not be able to sleep. But that is quite over and I dare to think that it will not reappear. My suffering from this in the hospital was frightful and yet through it all, even when I was so far gone that it was more than a swoon, I can tell you as a curiosity that I kept on thinking about Degas. and I had been talking about Degas before, and I had pointed out to that Degas had said . . . .

"I am saving myself up for the Arlsiennes."

Now you know how subtle Degas is, so when you get back to Paris, just tell Degas that I admit that up to the present I have been powerless to paint the women of Arles as anything but poisonous, and that he must not believe if speaks well of my work too early, for it has only been a sick man's so far.

Now if I recover, I must begin again, and I shall not again read the heights to which sickness partially lead me.

I should have liked very much to give another picture to Rivet, just because I quite agree with you that it would be well to put M. Rey in touch with Rivet.

But you could quite well tell Rivet that it would be a good thing to send M. Rey back here to the hospital with the doctor's degree he is trying to get.

He is very, very useful here and they will be desperately in need of a doctor here at Arles in the time to come, with cholera and the plague, etc., continuing so threatening in the region of Marseilles. Now Rey was born here, and would be of no use in Paris or elsewhere, whereas once furnished with the full medical authority of Paris, he would do real miracles here in a time of calamity.

Certainly we have no right to meddle in medical affairs. Only Rivet himself will perhaps be of the same opinion, at any rate in so far as an Arlesien is not a Parisian and vice versa.

Did you stop at Breda? Naturally, I am inclined to think so. Reassure Mother especially with regard to me.

Have you seen the portrait of me which has, and have you seen the portrait which did of himself during those last few days?

If you compare the self-portrait did then with the one that I still have of him, which he sent me from Brittany in exchange for mine, you will see that on the whole he himself got rested here.

What has become of Haan and Isacson? I did hope vaguely to see them here one day if had stayed longer with me, and with this in mind I had even taken two little rooms which were doing to be vacant in the house, which I am now occupying completely (the rent is 21.50 a month). I dare not urge this any more, seeing that has gone, and especially considering that the journey South costs a good deal.

Give them my kind regards when you see them again. Roulin wants to be remembered to you. He was very pleased with what you said of him in your letter of today, but then he fully deserves it. With a handshake, and of course you know how I wish you happy days with your fiance.

Ever yours, Vincent

Regards to Andr Bonger if he is there too. 

570

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Paul Cezanne
Cezanne 18 million
Czanne Chrysanthemums
House of Pre Lacroix
Mont Sainte-Victoire
Peaches and Pears
Still Life Cezanne
Still life 1885 Cezanne
Vincent's Chair
Vase of Flowers
Eugne Delacroix
Delacroix reconsidered
Ruins of Missolonghi
Liberty Leading the People
Delacroix Self-Portrait
Death of Sardanapalus
Massacre of Chior
Fishing Boats Saines-Maries
Gauguin, Paul
Vision After the Sermon
Gauguin Swineherd
Agostina Segatori
Bathing Float
Vincent's Bedroom
A Pair of Shoes
Port de Langlois
Cafe Terrace at Night
Camillie Roulin
The Church in Auvers
Cows (After Jordaen)
Piet
Painting demonstration
Patience Escalier
Famous paintings
Doctor Felix Rey
Portrait of Gachet
The Arlsienne
Encampment of Gypsies
Wheat Stacks
Still Life:
Vincent van Gogh
A Meadow in the Mountains
Morning: Peasant
Mountain Landscape
The Old Mill
Orchard and House
Young Peasant Woman
Portrait gallery
Self-portrait
Wheat Field
Armand Roulin
Seacsape at Saintes-Maries
Self-portrait Easel
Portrait of artist's Mother
Self-portrait
Pink Peach Tree
View of Saintes-Maries
Portrait of Pete Tanguy
View of Vessenots
Moulin de la Galette
The Yellow House
The Zouave
Irises, 1889
Letter Van Gogh
Potato Eaters
The Starry Night
Twelve Sunflowers
Fourteen Sunflowers
Two Cut Sunflowers
Sunflowers
Sunflowers 4
Sunflower fake?
Sunflowers,1888
Fourteen Sunflowers
Techniques
Cottages Thatched Roofs
van Gogh Biography
Vincent's Chair
Wheatfield with Crows
Poplar Trees
The Old Mill
L'eglise d'Auvers-sur-Oise
The Night Cafe
Wheat Field with Cypresses
Vincent's House in Arles
The Woman of Arles
The Postman Joseph Roulin
Cypresses
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